pondělí 25. května 2009

ROYCE 5’9 AND HIS FORTHCOMING SOLO-LP STREET HOP


Royce 5’9 ‘s unwavering passion for music and hunger for the game keeps him in the studio day and night. For further proof, look no further then the amount of music he will be releasing over the course of the next three months, which will undeniably validate Royce’s place in the pantheon of Hip-Hop’s elite lyricists.

While Royce preps the release of his highly-anticipated “Street Hop” LP, (which will be released on 9-22-09) which is executive-produced by DJ Premier and has already generated overwhelming critical accolades alone with the release of street-singles “Shake This” and “Part Of Me” and the forthcoming self-titled debut LP from the buzz worthy Bi-Coastal conglomerate Slaughterhouse (Royce 5’9, Joe Budden, Joell Ortiz & Crooked I) this summer.

On the heels of both releases, Royce will first be releasing a Digital only EP entitled “The Revival.” “The Revival” will be released on 7-7-09 and it will include new tracks from Royce’s “Street Hop” LP along with a new unreleased Slaughterhouse track and will be available at all major digital retailers. Royce will also be debuting a new single and video for “The Revival” in the very immediate future. Likewise, each member of Slaughterhouse will also be releasing a new digital EP throughout the month of July and each release will contain a new Slaughterhouse track that will not be included on their debut.

With so much good music ready to be unleashed on the masses Royce asserts “ I'm looking forward to releasing new music and touring this summer. Street Hop has been in the works for almost 2 years and the release date will be here before you know it. The Revival will give people a chance to see what I've been up to and what to expect from the album. The month of July will belong to Slaughterhouse with the release of our full length group album and solo EP's from me followed by Joell, Joey and Crooked. We will show fans why we are the ones to watch.”

čtvrtek 21. května 2009

STASH X SLICK


Dissizit brings you this play off the classic joint from Recon “I miss that old NY”. Tees are available in black and royal while the neweras are available in black, royal and red. Super limited, don’t miss the “I miss that old LA” collabo.

úterý 21. dubna 2009

Formula Werks

Formula Werks is a fresh little artists based clothing company and collective, ran by Escape76 and Joey Potts, that makes artist-driven streetwear inspired by skateboarding, low-brow art, design, and graffiti. There about to be sending out there summer line so we thought we would give you just insight. Being a small collective each piece of clothing is a limited piece made practically to order…so check there site and tell you local streetwear boutique and skateshops to look them up.


Links

http://www.formulawerks.com

neděle 8. února 2009

THE SEVENTH DAY PROJECT

Persue gets THE SEVENTH DAY PROJECT graffiti video treatment and it’s the best film so far from the whole project in my opinion. The surreal twist half way though is superb.

neděle 4. ledna 2009

Indie Rap

Without doubt, the mid 90s independent rap scene blessed us with some killer underground records. The names may not always be that familiar, or it may not be a recognisable label in many cases, but the product very often can be top notch quality hip hop. The mid 90's saw a huge lack of interest from the major labels in releasing hip hop music, so many dope underground artists took it upon themselves to release and distribute their product.
Now I'm guilty more than most of concentrating on the 80s golden era of hip hop, but I am just as much a lover of quality mid-90s indie bangers. The artistic freedom expressed, coupled with the lack of sample clearance issues very often meant true hip hop from the heart. No crossover, no sell-out.
Here I wanna drop some of my favourite indie joints from the 90s - enjoy!

BMX - "Microphone Microphone" VINYL DOGS 1997

A class indie track for sure. The intro starts with a guiro scraping noise (you know - those Latin wooden fish things), then simple beats and an infectious sample keep you hooked as a listener, whilst the Black Man Xperience tell us they "rock them like Led Zeppelin!".
A definite head-nodder from 97 - this New Jersey indie got much play on mixtapes back then. But as with most vinyldogs releases not an expensive piece to find. I minted up my copy recently for the one with the sticker sleeve, see photo. Despite the simple nature of the production, this track reeks of longevity, and I can't put my finger on it with the rhymes, as they're no lyrical masterpiece but the flow is tight and fluid.
Produced by the Vinyl Dogs and engineered by Jim Sorensen at 300mph.
Microphone, Microphone


NY CONFIDENTIAL - "Backstabbed" GUILLOTINE RECORDS 1998

A serious indie record by anyone's standards, and a highly regarded record amongst collectors of that mid 90s boom bap. All tracks are strong, but for me the track "backstabbed" is the winner by miles. You could be forgiven for hearing these beats and thinking it is a Mobb Deep classic - the mood is sinister to say the least, especially when you hear the "get rid of the bodies!" film snippet in the intro.
I was shrewd enough to purchase my copy back on release, as now it can make quite a price when it appears on ebay, discogs etc... Back in 98 it was the dope label art and chrome sticker on the cover that encouraged me to pick it up. And the name GUILLOTINE RECORDS just screams out underground beats and rough raps. Produced by E. Knight for HEADS TO THE FLOOR PRODUCTIONS.
Backstabbed


ILL BROTHERS - "Funkneck" NERVE DEAFNESS 1997

I think I first heard this funky banger on a DJ GREENPEACE mixtape, but my buddy BEAT DETECTIVE will correct me if I am wrong on that. Instantly I NEEDED to know WHAT that record was, although it
took me a while to find one as it was poorly distributed. (I found out later that Mr Bongo's on Poland Street carried a few copies).
The drum loop and bassline on this joint are crazy dope. I especially like the metallic sounding snares and simplicity of the production, much like my own beats. But it is the rhymes that make this track - not just the catchy "Funkneck" chorus with the speak n spell scratching!

"Yo I betcha wish that you was tighter than a knot,
but what you got is a style that's more wack than a belly flop.
You would think with current lyrical progressions,
That ni##uhs would try different shit to make a first impression,
I got a question for you wack crews and writers,
Why you gotta make wack shit like rhyme biters?"

Funkneck